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Korean arthouse don Kim Ki-duk ( Spring, Summer, Autumn, Winter… And Spring ) picked up last year’s Golden Lion in Venice for this bleak drama, but sadly Pieta just isn’t up to scratch.
The premise – a man’s (Lee Jung-jin) life is invaded by a woman (Cho Min-soo) claiming to be the mother who abandoned him as an infant – feels rich with possibilities, but most of them go unrealised.
Cracks emerge as the film takes a baroque direction, taking a mishandled turn into Jacobean revenge tragedy.
But as the intensity ramps up, Pieta skews more towards silliness than shock.
The Last of Us season 2 trailer brings the heart and the horror back to Joel and Ellie
My PC is screaming for an update, but the Switch 2 will be taking all my money this year
From "I stopped working on the project entirely" to "we are so back," Balatro creator says the roguelike's development was always about passion and taking breaks was essential
