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Playtime (1967), Jacques Tati’s most ambitious work, brought his career down in ruins. Three years in the making on a vast six-acre set specially constructed on the outskirts of Paris, it was conceived as a satire on the sterility of modern life. The production ran wildly over-budget and it flopped disastrously.
But for all the overweening ambition there’s an intimate charm about it, as Tati’s alter ego M. Hulot, a bunch of American tourists and various bemused Parisians pick their way through the modernist labyrinth. Dialogue is minimal; visual gags pop up in every corner.
2024's best horror movie won't scare you in a traditional sense, but that's exactly why it's so hauntingly powerful
Director of The Boys and Yellowjackets stars' twisty romance horror Companion explains why the movie couldn't have worked without them: "I can't imagine anyone else"
The new free-to-play Ark mobile game "isn't just a port; it's a fully-fledged survival experience that rivals its console and PC counterparts" and has been downloaded over a million times
