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Made in 1960, the first big-screen outing for Patricia Highsmith’s talented Tom Ripley introduced audiences to one of crime fiction’s great anti-heroes – and made a star out of Alain Delon.
The shape of the plot, in which Ripley schemes to usurp the identity of a wealthy acquaintance, will be familiar if you’ve seen the 1999 version .
Yet René Clément’s take offers its own pleasures, from the sun-bleached lensing to Delon’s charisma.
Tempering Hitchcockian intent with the experimentalism of the French New Wave, the result is as seductive as it is suspenseful: a bracing study of amorality.
This survival horror Steam Next Fest demo doesn't care that its puzzles are breaking me because it knows I'll stay for the immaculate Silent Hill vibes
SnowRunner fans think RoadCraft's Steam Next Fest demo isn't hardcore enough, but I just moved 3 logs 500 meters and it's one of my proudest gaming accomplishments ever
The blood-soaked comic history of Daredevil: Born Again villain Bullseye
