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Viewed away from its snap dismissals at Cannes, the fourth film from Mexican experimenter Carlos Reygadas ( Silent Light ) resembles Uncle Boonmee seen through Tarkovsky’s Mirror ; tough to grasp but giddy with ideas and indelible images.
Pivoting on the traumas of a well-off rural family, the story is a simple one made abstract by Reygadas’ cut-up chronology, blurred edges and poetic juxtapositions (innocence/experience, reality/fantasy, past/future).
Some metaphors score and some miss, but this is leap-of-faith cinema: the rewards entail some risks.
Final Fantasy 14 is coming to mobile so sprouts can experience the "grandeur of the original's story and combat," and card game sickos like me have another way to play Triple Triad
As Remedy nearly breaks even with Alan Wake 2 sales, Sam Lake tells investors "we strive to create commercial hits" but "we must never lose" the studio's special sauce
DC says Absolute Batman is already the best-selling comic of 2024
