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When Parisian industrialist Stanislas Graff (Yvan Attal) is kidnapped, the ransom quickly follows… but then it emerges Graff has squandered his fortune.
Updating actual ’70s events for the credit crunch era, director Lucas Belvaux (Trilogy) highlights the backlash against Graff’s moral bankruptcy, forcing us to value the worth of a playboy who, as bravely played by Attal, is deeply unlikeable.
Yet the topicality sits at odds with age-old devices: Dirty Harry-style money drops, fingers in the post.
Like Graff, this muted procedural promises more than it can deliver.
The Baldur's Gate 3-themed Stardew Valley mod that Larian boss Swen Vincke called "amazing" gets DMCA'd by D&D publisher Wizards of the Coast
After PlayStation boss praises Nier Automata as a savior for Japanese games overseas, Yoko Taro says he was specifically told to focus on Japan because it wouldn't fly overseas
"Should JRPGs be considered a distinct genre?": Lunar icon Kei Shigema reflects on the genre with new remasters on the way and how RPGs have changed 33 years later
