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A guy learns of his friend’s death, but the official explanation doesn’t add up – so he sets out in search of the truth, with a side order of revenge.
It’s a well-used hook, but Ken Loach and his regular writer Paul Laverty bring it up to date by linking it to the notorious use of ‘contractors’ (ie mercenary forces) in Iraq.
After the relatively gentle Looking For Eric, this is Loach with all guns blazing.
His target – the privatisation of war – is a thoroughly deserving one, but shouty acting and heavy-handed plotting drown out the powerful, cogent message, leaving us with a left-wing version of Death Wish.
BioWare veterans place their new sci-fi space adventure Exodus on two crucial RPG spectrums: Skyrim to Final Fantasy, and Dragon Age to Mass Effect
Xbox handheld prototypes are already in the works, Phil Spencer confirms, but the actual device is still years away
Xbox boss Phil Spencer says there are "no red lines" preventing Microsoft games releasing on PlayStation, but it's too early to make decisions about Halo on PS5
