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Filled with brusque tenderness and dusty beauty, director Warwick Thornton’s first feature (Camera D’Or winner at Cannes last year) is a fine and moving example of outback neorealism.
Tracing the near-wordless romance of two troubled Aboriginal teenagers, it’s filled with startling, incongruously lovely images: the austere bush landscapes and daring, jarring sound design are as eloquent as its lovers are tongue-tied.
Sensitive, naturalistic performances also pull you in tightly, particularly non-pro Rowan McNamara’s raw, impulsive Samson, pitch-perfect against Marissa Gibson’s stoical, life-whacked Delilah.
Thornton, himself an indigenous Australian, presents the poverty, petrol huffing and near-hopelessness of their lives with watchful clarity, but also humour and compassion.
There’s a bumpy, wholly unexpected dip into melodrama along the way, but the film’s commitment to its characters, and its sheer emotional heft, carries you along regardless.
Arrowhead CEO addresses Helldivers 2 Killzone crossover prices, admits this didn't hit "the sweet spot" and says "we will persevere and improve things in due course"
South of Midnight’s nasty-looking, dinosaur-sized alligator boss already has the potential to become my favorite villain ever
Here I was thinking I was neglecting my Steam library, but Valve's 2024 player stats prove y'all are only playing 4 games a year on average
