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Sheldon Wilson's bleak little tale of vengeance in Nowheresville, USA starts well, but soon flounders under the weight of its plot. A teenage boy covered in blood stumbles out of the woods, terrifying the local police. In one hand he carries a hunting knife - the same blade used the previous year in a grisly woodland slaying. From this alarming premise Wilson builds a creepy, lo-fi atmosphere that's reminiscent of the indie horror classics of the '70s, as the befuddled deputies face up to mounting evidence of a supernatural force.
Sadly, things fall apart as ambience gives way to a series of gory but uninteresting set-pieces. The script tangles itself in terrible knots trying to maintain the mystery and inevitably trips over its own feet. The cast, led by craggy no-mark Timothy V Murphy, skip blithely into danger at every opportunity and mouth their creaky lines with barely suppressed disbelief.
Ex-Bethesda dev turned indie says "good things often happen by accident," like that time Skyrim players convinced themselves the RPG's foxes were leading them to treasure
Palworld dev says the studio went dark for months because "the team was getting burnt out from all the social media stuff, I was getting burnt out, our CEO was under attack in Japan"
Metaphor: ReFantazio had to dial back an early battle system inspired by a notoriously brutal 2003 JRPG, because 20 years later, players found it "irrational" and "just not fun"
