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In a battered, isolated farmhouse somewhere in a war zone, a grieving may lays out the corpse of his wife. His two children over nervously. Then trucks approach. The father grabs his shotgun – but it’s not troops, but a small travelling circus.
They pitch camp; their aged ringmaster is dying, but they’re still determined to put on a show. Slovenian filmmaker Janez Burger’s dialogue-free poetic fable doesn’t dig deep (circus as metaphor for life, thanks Fellini) but there’s a gentle surreal charm that’s hard to resist.
And the multi-national cast – genuine circus folk, many of them – give great ensemble.
Ahead of GTA 6, Take-Two CEO says he’s “not worried about AI creating hits” because it’s built on recycled data: “Big hits […] need to be created out of thin air”
Getting Over It creator Bennett Foddy threatens the world once again: If you want Baby Steps to be a brutal rage game, "you can inflict that on yourself"
A Simpsons Hit and Run Remake will probably never happen – and I don't want it to
