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Dislocation and desperation are the twin linchpins of Brit director Thomas Clay’s Thailand-set slowburner.
Shot in grainy black and white, the fascinating first half zeroes in on the near-silent relationship between obese, Viagra-popping European Tobias (Nicolas Bro) and his pregnant, former stripbar-worker girlfriend (Pimwalee Thampanyasan).
Unlike Clay’s The Great Ecstasy Of Robert Carmichael, sympathy and restraint are favoured over in-your-face shock – though there’s an abrupt gear-switch in the second half, which sees a teen Mafia enforcer sent to bring back his brother’s head.
How the two halves marry up is anyone’s guess, but the mood mesmerises.
Ahead of GTA 6, Take-Two CEO says he’s “not worried about AI creating hits” because it’s built on recycled data: “Big hits […] need to be created out of thin air”
Getting Over It creator Bennett Foddy threatens the world once again: If you want Baby Steps to be a brutal rage game, "you can inflict that on yourself"
A Simpsons Hit and Run Remake will probably never happen – and I don't want it to
