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Dislocation and desperation are the twin linchpins of Brit director Thomas Clay’s Thailand-set slowburner.
Shot in grainy black and white, the fascinating first half zeroes in on the near-silent relationship between obese, Viagra-popping European Tobias (Nicolas Bro) and his pregnant, former stripbar-worker girlfriend (Pimwalee Thampanyasan).
Unlike Clay’s The Great Ecstasy Of Robert Carmichael, sympathy and restraint are favoured over in-your-face shock – though there’s an abrupt gear-switch in the second half, which sees a teen Mafia enforcer sent to bring back his brother’s head.
How the two halves marry up is anyone’s guess, but the mood mesmerises.
As Ultima Online approaches its 28th birthday, former creative lead reveals what it takes for an MMO to last for decades, and why they sometimes fail: "Content does not last forever"
A Zelda movie is finally happening, but Nintendo's Shigeru Miyamoto used to adamantly oppose the idea even "if Steven Spielberg himself" wanted to do it
"He is so dialed in": Robert Downey Jr. is coming up with backstory and costume ideas for Doctor Doom ahead of Avengers: Doomsday
