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Offering a uniquely smallscale view of post-Saddam Iraq, writer/director Mohamed Al Daradji’s festival favourite follows a headstrong young lad (Yasser Talib) and his grandmother (Shazada Hussein) on their search for the boy’s father, who’s been missing since he was forced to sign up for the Iraqi army.
This aside, the war isn’t featured heavily and almost no troops appear in the film, whose focus is on the quieter but no less profound threat of silent, unreported genocide.
Talib makes a vivid impression in his debut performance, embodying both a childish zeal for life and a growing awareness of just how dangerous his world is.
Sparse, tender and hypnotically moving.
Andor season 2 is introducing a ship from a beloved 30-year-old Star Wars game to canon
Stardew Valley creator kills the coyote he just invented with new Switch update that fixes "the bomb crash, disappearing chickens, and more"
Red Hulk gets his own comic series just in time for Captain America: Brave New World
