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Like kindred rock spirits Janis Joplin, Jimi Hendrix and Kurt Cobain, Rolling Stones founder member Brian Jones died in murky circumstances at the age of 27. Unlike Cobain’s eloquent epitaph in Gus Van Sant’s Last Days, though, Jones’ cinematic shrine is a box-ticking collection of rock movie clichés.
Acclaimed producer, turned director, Stephen Woolley has done a great job of recreating the late ’60s, but falters on narrative authenticity. Leo Gregory’s Jones isn’t a damaged man hollowed out by years of chronic drug abuse (the reality) but a flighty poet misunderstood by his avaricious band. His nemesis is builder Frank Thorogood (Paddy Considine), who’s ensnared in the S&M’n’opiates life as he attempts to do up Jones’ home. Alas, Considine’s charisma overshadows Gregory, as do asides from a squeaky Keith Richards (“You’ve got a Hendrix live album. Cool!”).
30 years later, Fallout creator Tim Cain is searching for a legendary D&D player who cheesed an entire competitive dungeon with a lightning-fast Monk build
As Dragon Age: The Veilguard director leaves and studio closure rumors surface, Mass Effect 5 director appears to hint the RPG is just fine: "Every week is a good week at work for me"
The First Berserker: Khazan could be the action RPG that gets me hyped for a 3D gaming monitor comeback, and it's thanks to Samsung
