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There’s nothing new about a monster picking off people one by one in a locked-down setting (in this case, a storage facility).
But Johannes Roberts’ thriller adds some freshness to the formula via the messy break-up between confused Charlie (co-writer Noel Clarke) and aloof dumper Shelley (Antonia Campbell-Hughes).
It’s far from flawless: the set-up feels forced and certain sequences do meander into tedium.
Yet even so, there’s enough gore, ideas and self-aware absurdity here to make it something a bit more enticing than merely Alien : The EastEnders Redux .
Resident Evil creator says the secret to a good remake is knowing what "made the original work," praises RE4 Remake for improving the "half-assed" story he wrote "in 2 weeks"
After 19 years, a cult classic survival horror game's infamous block mechanic was found to be a typo in its code, and thanks to a modder "this oversight is fixed"
Netflix wants an English-language Squid Game spin-off, and they've brought in the Gone Girl and Fight Club director to handle it
