Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
First-time film-maker Simon Rumley wrote, directed and funded this £50,000 indie curio, scraping the cash together for his pet project by doing part-time jobs and borrowing on friends' credit cards. Such dedication demands some respect, and it's taken three years to get his labour of love onto the big screen (well, the NFT). But, unfortunately, the end product is far lamer than you'd hope.
What Rumley himself has described as "the first ever film to reflect Cool Britannia" is, in fact, the cinematic equivalent of being trapped in a busy pub with a pretentious loudmouth. The concept links 16 opinionated Londoners with a single, central narrator (Groves) relating his own, sad story.
The problem is none of these voices is convincing, with some poorly affected acting making little of the so-so script. In fact, you only feel like you're hearing Rumley himself sounding off, and his London just ain't as interesting as the real one.
Final Fantasy 14 is coming to mobile so sprouts can experience the "grandeur of the original's story and combat," and card game sickos like me have another way to play Triple Triad
As Remedy nearly breaks even with Alan Wake 2 sales, Sam Lake tells investors "we strive to create commercial hits" but "we must never lose" the studio's special sauce
DC says Absolute Batman is already the best-selling comic of 2024
