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The first of Indian auteur Satyajit Ray’s films to be set in modern-day Calcutta, The Big City (1963) centres on a young bank clerk (Anil Chatterjee) who reluctantly lets his wife (Madhabi Mukherjee) go out to work for the first time.
Initially dismayed at the prospect, she finds that she loves her job and is very good at it.
Quietly satirising conventional Bengali attitudes – the wife’s father-in-law (Haren Chatterjee), an elderly Brahmin, is scandalised – Ray draws from Mukherjee a performance of delectable subtlety as she comes to recognise her moral and financial independence.
Ahead of GTA 6, Take-Two CEO says he’s “not worried about AI creating hits” because it’s built on recycled data: “Big hits […] need to be created out of thin air”
Getting Over It creator Bennett Foddy threatens the world once again: If you want Baby Steps to be a brutal rage game, "you can inflict that on yourself"
A Simpsons Hit and Run Remake will probably never happen – and I don't want it to
