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Less a traditional chase thriller, more a study of self-reinvention, Eric Laritgau’s film follows Parisian lawyer Paul (Romain Duris), who accidentally kills his wife’s lover in a scuffle.
With echoes of Antonioni’s The Passenger, Paul fakes his own death and adopts the deceased man’s identity, fleeing to Montenegro where his talent for photography blossoms.
Save for an unsatisfying resolution, this is a confident adap of Douglas Kennedy’s US-set novel.
Built around a multilayered performance from Duris, it’s a film unafraid to pose more questions than it answers.
Over 40 years after its anime debut, Disney Plus is reviving this adaptation of a beloved manga
Stalker 2: Heart of Chornobyl has a brutal autosave system which is quite literally killing me
Dragon Age creator reveals that one of the RPG series' most iconic characters was originally cast thanks to a rendition of Baby Got Back
