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Less a traditional chase thriller, more a study of self-reinvention, Eric Laritgau’s film follows Parisian lawyer Paul (Romain Duris), who accidentally kills his wife’s lover in a scuffle.
With echoes of Antonioni’s The Passenger, Paul fakes his own death and adopts the deceased man’s identity, fleeing to Montenegro where his talent for photography blossoms.
Save for an unsatisfying resolution, this is a confident adap of Douglas Kennedy’s US-set novel.
Built around a multilayered performance from Duris, it’s a film unafraid to pose more questions than it answers.
I didn't know how badly I wanted to grill and gobble up monsters until this upcoming survival roguelike made it look so tasty
Planescape: Torment was a revolutionary RPG, but many of its devs had no experience with the D&D campaign it was based on: "What the f*ck is that?"
18 years after Guitar Hero 2 released, a streamer has completed the hardest challenge there is - perfecting all 74 songs back-to-back without missing a single note
