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Writer/director and one-to-watch Elliott Goldner’s feature debut is a rare find: a convincing British found-footage horror that actually has some good performances and genuine scares.
Techie Robin Hill (a Ben Wheatley regular) and priest Gordon Kennedy (Little John in TV’s Robin Hood ) are posted to deepest darkest Devon to investigate a “miracle” at a rundown rural church, which means capturing everything on camera, however mundane it might seem.
For the most part, it’s the interplay between these two lively, lived-in characters that holds the interest until, after a slow but steady first hour – and a fair few false starts – the last act goes gratifyingly nuts.
Clock Tower: Rewind's Scissorman is the original survival horror stalker, and it still makes me want to cry
Razer Kraken V4 Pro review: “an expensive leap off the screen”
Sonic 3 director says Keanu Reeves did "research" on Shadow the Hedgehog because he wanted to create a "faithful version" of the character
