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Amid Seoul’s amphetamised neon squalor, baby-faced psychopath Ha Jung-Woo kills prostitutes with his bag of rusty tools. After he’s incarcerated by clueless coppers, his latest victim wakes up bleeding in a bricked-up basement, and her pimp (Kim Yun-Seok) has just hours to save her before red tape dictates the murderer be freed.
Those whose impatience overrides their appetite for spurty, South Korean-style vengeance will despair of Na Hong-Jin’s debut; it’s not so much a race against time as a battle against the grinding lunacy of police procedure. Painstakingly assembled, it’s also painfully overlong. A while it’s refreshing to see a thriller where the difference between life and death is decided by interrupted phone signals and bloody-minded bureaucracy, it’s frustrating that it drags its feet before going, belatedly, for the jugular.
NOVERDICT
Ex-Bethesda dev turned indie says "good things often happen by accident," like that time Skyrim players convinced themselves the RPG's foxes were leading them to treasure
Palworld dev says the studio went dark for months because "the team was getting burnt out from all the social media stuff, I was getting burnt out, our CEO was under attack in Japan"
Metaphor: ReFantazio had to dial back an early battle system inspired by a notoriously brutal 2003 JRPG, because 20 years later, players found it "irrational" and "just not fun"
