Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
A former assistant to celebrated Iranian director Abbas Kiarostami (The White Balloon), Jafar Panahi returns with this compelling portrait of the brutal discrimination endured by women in his native country.
Beginning with the sound of a screaming baby and ending in a darkened police cell, the film is set during a 24-hour period and follows a number of working-class women in the Iranian capital. Among them are a trio of escaped cons, a prostitute and a mother who has abandoned her child: all are denied certain rights, such as the permission to travel alone or to seek an abortion without male approval.
This is admirably sparse film-making, with little dialogue and direct street sound rather than a musical score. As the camera roams round downtown Teheran, Panahi cuts at unexpected moments to the next woman in the narrative chain, masterfully wringing the maximum tension from the plight of his marginalised characters.
Sonic 3 director explains the thinking behind picking those new post-credits arrivals: "It's always 'which character is going to give us something new?'"
The Inside Out 2 panic attack scene is one of the best depictions of anxiety ever – and something Pixar director Kelsey Mann is incredibly proud of: "I couldn't be happier"
When making Kingdom Hearts, the "one thing" RPG icon Tetsuya Nomura "wasn't willing to budge on" was a non-Disney protagonist
