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Say what you like about Kenneth Branagh - at least his Shakespeares sparkle on screen. And his Hamlet et al look all the more impressive in light of this lifeless adaptation of the Bard's tricky tragi-comedy.
Michael Radford helms, but after two drab hours you feel he could barely direct tourists to Stratford-upon-Avon. He makes Venice look sumptuous but his staging is stifling, with only Al Pacino's energy holding the attention.
Al is Shylock, the Jewish merchant who's so harassed by 16th-century Christians he seizes an opportunity to punish a welching creditor (Jeremy Irons) by demanding a literal pound of flesh. Spitting hatred and raging for revenge, Pacino gives a bravura turn reminiscent of his Richard III.
The play has obvious contemporary resonance as a story in which the persecuted becomes the persecutor. But the clottish direction ensures it's the audience who are oppressed.
Sonic 3 director explains the thinking behind picking those new post-credits arrivals: "It's always 'which character is going to give us something new?'"
The Inside Out 2 panic attack scene is one of the best depictions of anxiety ever – and something Pixar director Kelsey Mann is incredibly proud of: "I couldn't be happier"
When making Kingdom Hearts, the "one thing" RPG icon Tetsuya Nomura "wasn't willing to budge on" was a non-Disney protagonist
