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Director Rithy Panh was just 11 in 1975, when the Khmer Rouge seized control of Cambodia and consigned him, his family and millions of others to slave labour. He lost all his loved ones and survived only by luck.
Now he has recreated that terrible experience in an imaginative way: intercutting Khmer Rouge propaganda (smiling peasants applauding their leaders) with staged tableaux in which clay figurines stand in place of the victims – himself included.
A distancing device, sure, but a moving one. Panh’s commentary – spoken in French by Randal Douc – searingly sets the context.
This is why you read Helldivers 2 patch notes closely: a goldfish "was laid to rest" in space where the pressure "caused it to heat up, violently explode, and disintegrate"
Christopher Reeve's son on why he's so beloved as Superman - "It's still the benchmark for bringing reality to a comic book character"
Concord development deal reportedly rivaled The Last of Us Part 2 and Horizon Forbidden West at $200 million, which Sony has now chucked into a big ol' furnace
