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Little-seen in the past two decades, Michelangelo Antonioni's still-dazzling movie returns to cinemas in restored director's cut form. Made in the mid-'70s, it stars an impressively understated Jack Nicholson as a burnt-out TV journalist assigned to cover a guerrilla war in the Chad desert.
The Passenger may draw on certain thriller conventions - car chases, assassinations, female romantic interest (a highly resourceful Maria Schneider) - yet Antonioni is more concerned with languidly conveying his protagonist's internal emptiness, through focusing on imposing natural landscapes. Suggesting the impossibility of evading our own personal histories, the film climaxes with a stunning seven-minute single take, which unites the story's multiple strands while preserving the lead players' mystique.
6 years later, Far Cry New Dawn is getting a 60 FPS update on Xbox Series X and PS5, and the way it was revealed is sending me: "Well… this wasn’t how we planned to announce this"
The Sims 2's long-awaited comeback meets a mixed response on Steam thanks to a barebones port suffering prolific crashes
This indie open-world RPG takes Stardew Valley's fishing and turns it into its main combat system: "This is not a peaceful fishing game. The destruction of the world is imminent"
