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Little-seen in the past two decades, Michelangelo Antonioni's still-dazzling movie returns to cinemas in restored director's cut form. Made in the mid-'70s, it stars an impressively understated Jack Nicholson as a burnt-out TV journalist assigned to cover a guerrilla war in the Chad desert.
The Passenger may draw on certain thriller conventions - car chases, assassinations, female romantic interest (a highly resourceful Maria Schneider) - yet Antonioni is more concerned with languidly conveying his protagonist's internal emptiness, through focusing on imposing natural landscapes. Suggesting the impossibility of evading our own personal histories, the film climaxes with a stunning seven-minute single take, which unites the story's multiple strands while preserving the lead players' mystique.
Tom Cruise completes yet another slew of death-defying stunts in new Mission: Impossible - Final Reckoning trailer shown behind closed doors
Mario Kart World gameplay showcase proves the rail-grinding mechanic is more than just a slick Tony Hawk-style gimmick: "It opens up so many possibilities"
For the first time since Super Mario Kart 33 years ago, Mario Kart World brings the feather back to actual races and it seems like it can even stop the dreaded blue shell
