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Asghar Farhadi’s follow-up to the terrific A Separation sees him moving from Iran to France.
Directing through an interpreter, he’s managed to coax a devastating performance from Bérénice Bejo (who took Best Actress at last year’s Cannes) as a serial monogamist mother.
Radically u-turning from the breezy charm of The Artist , she saves the film, mostly because its plot – Iranian husband (Ali Mosaffa) returns to France to divorce Bejo’s Marie, secrets are revealed – comes dangerously close to perpetuating rational man/hysterical woman stereotypes.
And however much the arthouse trappings try to hide it, the silly late act twists belong on an episode of EastEnders.
The Pokeball Plus cemented my appreciation of the Nintendo Switch, I just hope the Switch 2 carries on the tradition of weird and wonderful accessories
GTA: Liberty City Stories and Vice City Stories deserve the Definitive Edition treatment
Nosferatu director Robert Eggers is doing something "that’s not been done before" his new upcoming horror movie
