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It sounds unpromising: a symbolic study of India’s class divide, from a US director who doesn’t speak Hindi.
But Chris Smith’s Sundance prizewinner is grounded by his documentary training. It’s an un-touristy Goa-set drama about a poor teenager, whose daydreams about a local swimming pool bring him into contact with its owner.
Smith casts non-pro Venkatesh Chavan alongside Bollywood star Nana Patekar to achieve credible chemistry, enhanced by his choice of quiet observation rather than Slumdog -style pizzazz and the delicate emotional kick and finespun simplicity of a short story.

The Last of Us showrunner explains why they included the cut therapy scene that Pedro Pascal loved in season 2, and says it gets to the "heart" of the show

It's not just your favorite JRPGs, Clair Obscur: Expedition 33 takes notes from Studio Ghibli movies like Spirited Away and Howl's Moving Castle too

With no remaster in sight because Sony hates money and also me, I'm spending Bloodborne's 10-year anniversary thinking about its hardest, perfect boss battle