The Road review

No country for a middle-aged man (and his boy)…

Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.

Voiceover, parched: “The clocks stopped at 1.17”. The why and the when – month, year – don’t matter. Nuclear war? Environmental catastrophe? Punishment from above (“If there’s a God up there, he’d have turned his back on us by now…”)? All we know for sure is that humankind has brought this upon itself, sometime, somehow. 

Travelling south are two stick figures. Man (Viggo Mortensen) has scabs for eyes, his ancient face comprised of razor-ridges and plunging hollows. Boy (Kodi Smit-McPhee) is begrimed and fretful, reeking of terror. 

They are father and son, huddling, clutching, eking their way across a grey and desolate landscape: stunted trees, deserted flyovers, glowering clouds, soot-stained rain, slanted power pylons, hunkered, rust-coated trucks and a sloughed ship. Their goal is the ocean. Survival will do. 

With stock stacked high after 2007’s The Proposition, director John Hillcoat here shoulders Cormac McCarthy’s Pulitzer Prize-winning novel, a work that echoes his apoco-western in Old Testament heft. It’s therefore no surprise that Hillcoat’s take is committed and bold and cruel to the eye, from the tines of Mortensen’s ribs to the emptiness of the skies. 

The soundscape comprises tense, terse dialogue (Man: “They committed suicide.” Boy: “Why?” Man: “You know why.”), a plaintive piano refrain, not much else. Yet for all their integrity, Hillcoat’s ash-and-slime visuals are unable to harness the weight, the ruggedness, the pain and poetry of McCarthy’s spare, eloquent prose. 

It’s a tough ask, certainly, but one made tougher by the director opting to break up the grim action with lucent, too-frequent flashbacks of Man’s wife, played by Charlize Theron. And with the timeframe lacking clarity (weeks? months?), the protagonists’ journey is robbed of its persistence and pitilessness. 

All of which means The Road, though adult and intelligent and fashioned by a filmmaker of consequence, stands as a good film of a great book. Shame.

Editor-at-Large, Total Film

Jamie Graham is the Editor-at-Large of Total Film magazine. You'll likely find them around these parts reviewing the biggest films on the planet and speaking to some of the biggest stars in the business – that's just what Jamie does. Jamie has also written for outlets like SFX and the Sunday Times Culture, and appeared on podcasts exploring the wondrous worlds of occult and horror. 

Latest in Comedy Movies
John Cena in Barbie
John Cena comedy Coyote Vs. Acme might come out after all, over a year after it was controversially shelved
Adam Sandler in Happy Gilmore 2
29 years later, Happy Gilmore 2 trailer sees Adam Sandler return to the course with familiar faces – and confirms release date
Christopher Mintz-Plasse, Jonah Hill, and Michael Cera in Superbad
Seth Rogen says Sony wouldn't let Jonah Hill use a PlayStation in Superbad as his character was too "reprehensible": "They're like, 'We can't have him interact with our products'"
Jamie Lee Curtis and Lindsay Lohan in Freakier Friday
Freaky Friday 2 trailer promises more body-swap hilarity from Jamie Lee Curtis and Lindsay Lohan in long-awaited sequel
Jenna Ortega as Astrid Deetz in Beetlejuice Beetlejuice
Beetlejuice 2 star Jenna Ortega would love to star in another classic horror comedy franchise: Gremlins
This is Spinal Tap
First Spinal Tap 2 teaser reveals release date for comedy sequel that’s over 40 years in the making
Latest in Reviews
Image of the Corsair Virtuoso Max wireless headset sitting on top of a gaming PC case taken by writer Rosalie Newcombe.
Corsair Virtuoso Max Wireless review - a PC headset tour de force
Zombicide box featuring stylized art of survivors fighting zombies
Zombicide 2nd Edition review: "Like a zombie flick brought to tabletop"
Razer Handheld Dock with Steam Deck sitting on cradle, pink and yellow RGB lighting on, and Alienware monitor in background with Tomb Raider Trilogy gameplay on screen.
Razer Handheld Dock review: “Your Steam Deck will ride shiny and Chroma"
Photographs of the Agricola board game in play
Agricola review: "Accurate representation of the highly competitive and often unstable world of agriculture"
Photos taken by writer Rosalie Newcombe of the Shure MV7i microphone, within a pink and white themed room.
Shure MV7i review - convenience and excellence rolled into one superb sounding package
Key art for Atomfall showing a character in the English countryside looking at a nuclear plant some distance away
Atomfall review: "This isn't British Fallout – it's something much better than that"