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Just when you thought last year’s Prom Night was the worst of the new wave of ’80s slasher reduxes, director Nelson McCormick goes and outdoes himself.
This drowsy reboot replaces Terry O’Quinn’s sociopath from the ’87 original with Dylan Walsh, a twitchy, off-putting mess of a man.
Walsh’s David Harris drifts from town to town, insinuating himself into the lives of trusting families and then, eventually, killing them.
Mercilessly talky and deathly dull, this bloodless, sex-less misfire plays more like a housewife-baiting telemovie than the taut, teen-centric psycho-thriller it’s supposed to be.
Who’s the daddy? Not this loser.
Final Fantasy 14 is coming to mobile so sprouts can experience the "grandeur of the original's story and combat," and card game sickos like me have another way to play Triple Triad
As Remedy nearly breaks even with Alan Wake 2 sales, Sam Lake tells investors "we strive to create commercial hits" but "we must never lose" the studio's special sauce
DC says Absolute Batman is already the best-selling comic of 2024
