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THE ARTISTIC CONCEPT OF BRICOLAGE – by changing the context of an object, you alter its meanings – powers Brit-director Andrew Kötting’s latest experimental doc. Set in and around his house in a remote region of the French Pyrenees, the film blends footage from Kötting’s home movies, fragments of text, cut-up sound clips and an eerie electronic score from Scanner. Lasting barely an hour, it still forms a vivid portrait of both a specific place and of Kötting’s handicapped 22-year-old daughter Eden, who’s shown to relish painting and singing along to Abba and Elvis Presley.
Heart Eyes director describes the new slasher as a rom-com that’s just as "fun and violent" as Friday the 13th: "For me, it was about asking, 'What haven't I seen in a while?'"
The Monkey director explains why it was so important to him to give Stephen King's "chilling" short story a "playful horror" twist: "I think [that] seemed correct for a movie about a toy"
The game dev legend who programmed the first 3 Final Fantasy games says "I'd never seen any role-playing games until Final Fantasy"
