Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
Last time Patrice Chéreau stepped behind the camera, blood ran red in 16th-century Paris. In his follow-up to La Reine Margot, there's only one corpse, it's the present day, and the brutality is purely emotional.
The relatives, lovers and so-called friends of painter Jean-Baptiste Emmerich (Jean-Louis Trintignant) gather for his funeral. As they travel to the cemetery, the hand-held camera sticks close to their faces, highlighting the friction between them. This pressure-cooker atmosphere relaxes in the vast landscapes of the burial ground in Limoges, where the complex web binding these alienated individuals becomes clearer.
Then it's time for the wake and a metaphorical journey: a long, bitter night of confessions and accusations which bring the group's fears and desires to a head.
Chéreau elicits an awe-inspiring ensemble performance from the cast, but also allows each performer to shine, making for world-class acting in every frame.
The Inside Out 2 panic attack scene is one of the best depictions of anxiety ever – and something Pixar director Kelsey Mann is incredibly proud of: "I couldn't be happier"
When making Kingdom Hearts, the "one thing" RPG icon Tetsuya Nomura "wasn't willing to budge on" was a non-Disney protagonist
The Witcher fans in shambles after a new book reveals just how old Geralt really is
