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A mesmerising opener sees family man Tom (Tom Fisher) inexplicably up sticks from suburban Birmingham to pursue a life on London’s mean streets.
Into his solitary world crashes motormouth man-child Aidan (Aidan Gillen), who’s as buoyant as Tom is troubled.
If writer/director Jamie Thraves overdoses on ambiguity – Tom’s motivations are left unexplained to an extent that distracts rather than intrigues – the yin-yang central dynamic crackles with heart and humour.
Gillen’s manic turn is the attention grabber, but Fisher’s quietly wounded man-on-the verge is a solid anchor.
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Mario Kart World quietly fixes one of the series' longest-standing annoyances and I suspect I will get hit with 10% fewer red turtle shells because of it
Superman goes full sci-fi in DC's epic CinemaCon footage, showcasing a bloodied Man of Steel rising again
