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A mesmerising opener sees family man Tom (Tom Fisher) inexplicably up sticks from suburban Birmingham to pursue a life on London’s mean streets.
Into his solitary world crashes motormouth man-child Aidan (Aidan Gillen), who’s as buoyant as Tom is troubled.
If writer/director Jamie Thraves overdoses on ambiguity – Tom’s motivations are left unexplained to an extent that distracts rather than intrigues – the yin-yang central dynamic crackles with heart and humour.
Gillen’s manic turn is the attention grabber, but Fisher’s quietly wounded man-on-the verge is a solid anchor.
After PlayStation boss praises Nier Automata as a savior for Japanese games overseas, Yoko Taro says he was specifically told to focus on Japan because it wouldn't fly overseas
"Should JRPGs be considered a distinct genre?": Lunar icon Kei Shigema reflects on the genre with new remasters on the way and how RPGs have changed 33 years later
24 years later, RuneScape gets its own survival game – RuneScape: Dragonwilds turns the MMO into a co-op game with RPG juice and Valheim energy, and it's out this year
