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A mesmerising opener sees family man Tom (Tom Fisher) inexplicably up sticks from suburban Birmingham to pursue a life on London’s mean streets.
Into his solitary world crashes motormouth man-child Aidan (Aidan Gillen), who’s as buoyant as Tom is troubled.
If writer/director Jamie Thraves overdoses on ambiguity – Tom’s motivations are left unexplained to an extent that distracts rather than intrigues – the yin-yang central dynamic crackles with heart and humour.
Gillen’s manic turn is the attention grabber, but Fisher’s quietly wounded man-on-the verge is a solid anchor.
Warner Bros. is inexplicably delisting a bunch of games without warning, again, and devs are once again distraught: "We are heartbroken"
Marvel Rivals joins Manor Lords, Palworld, and Helldivers 2 as one of Steam's best-selling and most-played new releases of 2024 despite launching at the end of the year
Patton Oswalt and Jordan Blum explain why comics are still the perfect medium for superhero stories - "Visuals that will never be achieved in TV or movies can be achieved in comics"
