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Roman Polanski follows Carnage with another stage adaptation, this time David Ives’ psychosexual drama riffing on gender, role-play and art. Confined to a playhouse in Paris, it’s theatrical but increasingly fascinating as an arrogant director (Mathieu Amalric) auditions an actress (Emmanuelle Seigner) for a stage version of the titular novel about sexual submission.
During the course of the evening, the duo’s roles shift and a battle of the sexes escalates. Intriguingly, VIF recalls both Polanski’s early films and his own life – Seigner is his actual wife and there’s pointed discussion of child abuse.
PUBG creator's goal for his new open-world project is to make "realistic Minecraft" complete with real geology
This weird WarioWare-like's demo got thousands of positive Steam reviews, and now its Kickstarter's $40,000 goal has been smashed 11 times over
Former CDPR lead says "experimental" new open world vampire RPG The Blood of Dawnwalker will "push the genre forward" a lot like The Witcher 3: "The risk is worth the reward"
