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Nabbing five Japanese Oscars, Lee Song-il’s film is a chilly examination of casual cruelty in its many, mundane forms.
Introducing violent misfit Shimizu (Satoshi Tsumabuki), it mitigates his crimes by placing him among even more despicable characters and adopting new lover Mitsuyo’s (Eri Fukatsu) rose-tinted view.
Like early Haneke without the intellectual rigour but enlivened with beautiful moments of realisation, it’s a film that becomes harder to take the more it sides with its “sensitive” star.
Surely raping/killing people is reprehensible whether you cry at sunsets or not?
After a 4 year absence, Captain America: Brave New World proves Anthony Mackie's Sam Wilson deserves to be the MCU's figurehead in Avengers 5 and beyond
Mickey 17 Review: "Bong Joon-ho's best English movie to date and arguably Robert Pattinson's best movie ever"
The Witcher 3 director's new vampire RPG gives you the freedom "to kill off a lot of NPCs, and a lot of them can be really important NPCs"
