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Nabbing five Japanese Oscars, Lee Song-il’s film is a chilly examination of casual cruelty in its many, mundane forms.
Introducing violent misfit Shimizu (Satoshi Tsumabuki), it mitigates his crimes by placing him among even more despicable characters and adopting new lover Mitsuyo’s (Eri Fukatsu) rose-tinted view.
Like early Haneke without the intellectual rigour but enlivened with beautiful moments of realisation, it’s a film that becomes harder to take the more it sides with its “sensitive” star.
Surely raping/killing people is reprehensible whether you cry at sunsets or not?
This cozy farming sim is just a sleepy frog that idly grinds on your desktop all day - and it's the best $4 I've spent in ages
Rockstar Games co-founder and GTA 5, Red Dead Redemption 2 writer Dan Houser's new studio shows off its "story-driven action-comedy"
The Pokeball Plus cemented my appreciation of the Nintendo Switch, I just hope the Switch 2 carries on the tradition of weird and wonderful accessories
