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Nabbing five Japanese Oscars, Lee Song-il’s film is a chilly examination of casual cruelty in its many, mundane forms.
Introducing violent misfit Shimizu (Satoshi Tsumabuki), it mitigates his crimes by placing him among even more despicable characters and adopting new lover Mitsuyo’s (Eri Fukatsu) rose-tinted view.
Like early Haneke without the intellectual rigour but enlivened with beautiful moments of realisation, it’s a film that becomes harder to take the more it sides with its “sensitive” star.
Surely raping/killing people is reprehensible whether you cry at sunsets or not?
Paranormal Activity series writer jokes about how writing follow-ups to the hit found-footage horror "was a thankless task" because of the illusion that the movies are real: "'Oh, it’s so easy! You improvise!'"
Andor showrunner hopes that the Disney Plus show's success helps convince Lucasfilm to sign off on either a Star Wars horror movie or sitcom
10 years later, in a post-Baldur's Gate 3 and Avowed world, Obsidian is giving its own throwback CRPG Pillars of Eternity a turn-based combat mode
