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Director Céline Sciamma’s sparse, atmospheric debut captures the cruel and bewildering world of female adolescence with uncanny accuracy. It should’ve stuck with original title The Birth Of Octopuses; the thrashing limbs of the 15-year-old synchronised swimmers it centres on (acted by a host of convincing newbies) being the perfect accompaniment to their intense, clumsy awakenings of sexual desire. In a Paris suburb where adults are absent, skinny, quiet Marie ditches her chubby pal Anne (Louise Blachère) to hang with Floriane (Adele Haenel), whose precocious come-hither looks make her the reluctant object of girls’ jealousy and guys’ advances. Some scenes could’ve been gratuitous were it not for the film’s cold restraint, but the slow pace bottles a sense of that age when time seems to stretch endlessly.
Resident Evil creator says the secret to a good remake is knowing what "made the original work," praises RE4 Remake for improving the "half-assed" story he wrote "in 2 weeks"
After 19 years, a cult classic survival horror game's infamous block mechanic was found to be a typo in its code, and thanks to a modder "this oversight is fixed"
Netflix wants an English-language Squid Game spin-off, and they've brought in the Gone Girl and Fight Club director to handle it
