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The magical beauty salon of Nadine Labaki’s Caramel has been replaced in her second feature by a war-torn Middle East village, where Muslim-Christian tension grows ever more volatile.
The local women, led by the beautiful widow Amale (Labaki), hire Ukrainian strippers to turn their menfolk away from the path of violent retribution.
Balancing sectarian tragedy and earthy humour is never easy, and Labaki crams in too many stereotypes.
A romantic song-and-dance sequence suggests she should perhaps have turned her well-intentioned fable into a full-blown musical.
Devs behind the legendarily horny Dead or Alive series take "strict action" against nearly 3,000 pieces of content made for "adult purposes" every year
Call of Duty dev's Dino sword fighting game that started out as a joke secures 10k wishlists in its first day
Veteran analyst expects Switch 2 to be "a massive success," but doesn't see it matching the "outlier" that was the Switch 1: "It could happen, but it's not likely"
