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A tale of survival, sensuality and sand, Hiroshi Teshigahara's resonant 1964 yarn centres on a stranded entomologist (Eiji Okada) who's offered sanctuary with a young widow (Kyôko Kishida) housed at the bottom of a desert pit. Next day, however, the exit ladder's mysteriously disappeared and our hero's forced to share his host's livelihood shovelling sand...
While there's nail-noshing tension in Okada's repeated escape attempts, the simmering eroticism of his relationship with Kishida is just as compelling. What captivates most, though, is the reach-out-and-touch texture of Hiroshi Segawa's black-and-white photography. Whether the grains are shown running like water or in super-large close-up, sand's rarely been this interesting.
Palworld dev says the studio went dark for months because "the team was getting burnt out from all the social media stuff, I was getting burnt out, our CEO was under attack in Japan"
Metaphor: ReFantazio had to dial back an early battle system inspired by a notoriously brutal 2003 JRPG, because 20 years later, players found it "irrational" and "just not fun"
Spider-Man's ex Mary Jane Watson is officially Venom, but she and the symbiote are "not together by choice"
